Monday, May 21, 2012

Posterity

What happens when I don't have class anymore?
When I'm not made to create, made to create those class things?
I am good at creating class things.
Usually the best.

But now, what about now? 
What will I make with these hands?
What will I see with these eyes?

Now that it's not a competition, I'm the only one competing. 
Well, competing with the world, but I don't think of it. 

Who will I create for?
Will I create for me? For selfish me? 
That's what it is now, and that's why it's my secret.
Will I create for someone else?

I hate the thought. I dread the thought. 
Not because I mind, but because I'll never get it right. 
My desires and feelings will always spill onto the paper.

What good is that too anyone if I can't control it?

Sunday, May 20, 2012

¿Qué hora es?

Time is a double edged sword.

Although saying that may have just made my thoughts cliche and pointless, I feel the necessity to explore the duality of the paradox of time; a theme that has been rewritten and replayed to infinity. Time is very important, and when people fail to believe that my time is important, I steam. I've spent a lot of time thinking about time. More than I can be comfortable with after all of my conclusions.

Initially, as in all beings, time was infinite in itself. It's a necessary thing to experience oblivion, to disregard the offenses of time. To live in a moment when it is just a moment to be forgotten, a moment that doesn't have to be anything because you don't know that you run out of moments. It's bliss, but you are unaware. And although it is a necessary blank slate to build perspective on, it is also one of the greatest human flaws.

Our consciences are birthed into an illusion of immortality. Because time is a moment. And a moment. And another moment. Time, in our realities, is a serious of moments strung out so quickly that we don't even notice it, but, instead, mistake our frame by frame life for fluid body movements and 12 hour increments. It takes years to finally scope the proximity of time. Time is complex because it is arranged in fractals, and while it can be broken down into an infinite number of measurements, I believe there are two ways it should be analyzed that pertain to humanity.

Forever.
Time is grand, so large I cannot think of anything appropriate to describe it. It would be as impossible for me to explain as it would be for you to understand. I can't conceptualize eternity because it's not part of my entity. I won't experience forever so I cannot relate in any manner to this form of time. All I can do is acknowledge and appreciate its existence. The only thing this sort of time is good for, beyond the work of scientist and the likes, is a tool of measurement and comparison.

Lifetime.
We are not told as babies and toddlers that we were meant to die. We are not taught anything on the subject, really. We cannot be told about the abstractions of life because there are too many uncertainties that provoke the adult mind. Adults cannot answer the wondering child's mind so we must learn on our own.


This is what I have learned:
Time is constant; time is everything. The snippet of time that is allotted to me is nothing. A single burst of freedom. And what for? There is infinite time, so why was I only given 100 years? Is it the greed of the gods or is it a favor of them; my body will get weak and feeble. My first realization was just that: time is nothing. Then there's my second realization: time is all I have.

I'm petrified by the idea that I have wasted so much time. When I realized what every day, every hour, every second actually meant it threw me into hysteria. There were days at a time that I would refuse to sleep and use all means to keep myself awake. I wouldn't watch movies or spend time on the computer because that made time happen so much faster. It was as if I could see death approaching from 70 years away with every stride of the hand.

This was dramatic, I know, but I was a teenager.

Time should be valued because it is precious. Especially other people's time. When other people are willing to sacrifice any of the minuscule amount they have been granted you should be bubbling with appreciation for it.

Moreover, when people value my time, I adore them; when people don't value my time, it literally sends me into an anxiety attack... with tears, purple lips, concrete lungs and the works.

Make it mean something.

A Memory These Eyes Have Seen

"I can't do this," she whispered.
"If someone comes through that door, you won't have a choice though."
The wooden chair that Sara had been sitting in for the past two hours clung to her bare, shaking legs. She stared at the doorknob the whole time she talked, not noticing Alex's strung out appearance as he conditioned her to kill. Sara's head pounded with decisions while her fingers traced the cold metal on her lap.
"Here, take some of these," Alex advised, tossing her a bottle of blue pills. Xanax.
She snapped out of her daze just in time to catch the plastic bottle whirling strait to her abdomen. The pills sang two notes as she shook the bottle twice and Alex kissed her sweaty cheek.
"You know I've never shot a gun," Sara said a-matter-of-factly. A bead of sweat brimmed her brow for several seconds and then rolled down her fevered cheek slowly like a slug leaving a glossy trail. "Well?"
"It's going to be okay," he breathed into her ear.
In a swift motion she opened the bottle, shook four little blue pills onto her clammy palm, and threw them into her throat without a drink.
"It doesn't matter anyway," she retorted. "Get some sleep."
"Sleep?" Alex puffed. "You know I can't. Want to smoke?"
A single nod was all she could conjure.
He swung the baseball bat off of his shoulder and sat it on the couch beside him.


Thursday, May 10, 2012

Lacquered, nimble soul.

Skin so tightly stretched over ancient bones. Bones intertwined with other bones with supple skin that masks their beauty. On the bed we lie; under sheets we lie.

Bones that bend and break and mend.

Symmetrical frames engineered by the gods of time and fate. Frames forged from fire and brim, draped with flesh and skin. Frames of bone; frames of dust.

Bones that bend and break and mend.

Skin so tightly stretched over ancient bones. Bones intertwined with other bones with supple skin that masks their beauty. On the bed we lie; on the bed we die.

Monday, May 7, 2012

Half-Blood Prince

I spend my time wondering which part of you is ethnic.  Is it the blood coursing through your veins, pulsating in your heart?  Is it your brown hair with copper wire and flecks of silver?  Is it the sticks that compose your frame or the tubular muscle wrapped around them?  Is it your soul ghosting through your brain?  What part of you separates you from me?  Is it that you haven't been orphaned by your culture and adopted by grease, arrogance, and apple pie? I'll die this way.